The work presents a solitary human figure emerging from a dense, almost overgrown environment, where the boundaries between body and landscape dissolve. Love here is neither idealised nor romanticised; it is embodied, weighted, and inseparable from nature and time. The imagery offers empirical evidence of the existence of physical love—something that civilised society often seeks to deny or suppress. The bird flying above, seemingly observing and investigating the scene, serves as a satirical commentary on a society that constantly surveils personal and intimate moments. It raises a critical question: who defines what is right and what is not?